How To Practice With A Metronome

Korg MA1 Metronome

Korg MA1 Metronome with subdivisions

I haven’t encountered a beginning musician yet who enjoys playing with a metronome. I know how they feel because I still remember those days of struggling to practice with the dreaded contraption and wondering why my teacher insisted on torturing me so. Many a time I sat puzzled looking at it wondering why it clearly must be off (of course that wasn’t the case, I was off tempo!) So how can you learn to practice with a metronome?

1. You need to learn the notes for the piece first. If your fingers aren’t sure where they are going on the keys, using a metronome will certainly only add to the frustration. The metronome is to help you with a steady tempo and accurate rhythms so you’ll need to make sure your fingers are comfortable with where they are going.

2. Think before you play. Before you begin any music you are practicing, even if it is just a short exercise in your book, think about the tempo first. If you just start without thinking about it, you may have picked a tempo that is too fast for trickier spots. This will make it so you slow down during those sections. The goal is a constant tempo, not one that speeds up and slows down. The metronome is there to help you make those trickier spots easier and faster by being constant.  

3. Subdivide. Count or sing a few measures out loud and subdivide the notes. Count out loud not only the quarter notes but the eighth notes as well. If your piece has sixteenth notes, count those out and make sure you are right with the metronome. It’s even easier to count the subdivisions if you have a metronome that can play those for you. I recommend the Korg MA-1. It is a great metronome for the money and it will subdivide 8ths, triplets, 16ths and special combinations of those rhythms. If you are keeping time with the metronome while singing/counting, then try to play the piece. It is much easier to focus on listening to the clicks when your focus isn’t on embouchure, fingerings and breath.

4. Play slowly. This may seem like a no-brainer but so many of us pick a tempo faster than we should when working on our music. The tempo for the piece you are playing may say Presto, but you’ll never get to Presto if you can’t play it Largo first. Not only that, if you are busy trying to play faster you are likely not able to concentrate on the metronome because all of your concentration is taken up with your fingers on the keys. It’s ok to slow down. You’ll get there.

5. Listen. Remember to listen out for the metronome.  If you hear it clicking and your quarter notes are not lined up with the metronomes clicks, you stopped listening to the metronome. If that happens, repeat steps 1-4. Keep at it!

Sometimes getting used to playing with a metronome is easier if you practice playing something you know really well. Play scales with your metronome. Usually most band students know at least a couple of scales in their first year of playing. Play those scales and see if your quarter notes are matching up exactly with the metronome.

These tips should help you get over the hurdle when it comes to the frustration of learning to play with a metronome. It was really annoying when I learned as a beginning musician but now I can’t imagine working through my pieces with out it! Do you have any tips that helped you? I’d love to hear them! Write a comment below.

Find the Korg MA-1 metronome recommended in this posting (and pictured above) at http://www.reedpros.com

Advertisements
This entry was posted in Education and tagged , , , , . Bookmark the permalink.

10 Responses to How To Practice With A Metronome

  1. martin thomas says:

    Go to the most difficult part of the piece and find a comfortable tempo. Play the entire piece at that tempo. I’ve heard several times from my teachers, “you can’t play it fast if you can’t play it slow.”

  2. I introduce the metronome first on Hanon and scales since the patterned playing allows more focus on the beat. But here is my twist: As soon as they are capable, we put the click on beats 2 and 4 rather than the customary 1 and 3. This is enormously helpful when it comes to playing contemporary styles with a back beat.

  3. Adam Gonzalez says:

    Use lopsided rhythm. Best thing I ever learned.

    • reedpros says:

      Adam – I completely agree. I love to use lopsided rhythms especially when I am trying to make a section truly even. It works great! Such great ideas here. I may have to write another post for more advanced workouts with the metronome! 😉

  4. I think it is important to remember that a metronome is a ‘tool’ for time. It is better suited for problems of tempo rather than rhythm. Metronomes can be effective, when used correctly, but if used incorrectly (mechanically and without thought), even the best tools can become a crutch.

  5. Pingback: Thanks for #Timing | Alison Amazed

  6. Musicforkids says:

    As a drummer the key for me was to relax and not to listen so intently to the metronome. At first I’d turn it up loud so I could hear it. But later I found that if I turned the volume down so it was almost in the background then it would be easier for me to keep on tempo with it.

  7. Pingback: Working with Young Musicians » How to Teach Subdivision

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s